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1.
The growth and structure of Elizabethan comedy [by] M. C. Bradbrook. by
Edition: New ed.
Material type: Text Text; Format: print ; Literary form: Not fiction
Publication details: London, Chatto & Windus, 1973
Dissertation note: In this study, first published in 1979, Professor Bradbrook adopts an historic approach to comedy as a social form, showing its beginnings in medieval drama, its development in various settings, the evolution of different 'kinds' or genres, and the Shakesperean synthesis. The critical comedy which emerged at the turn of the sixteenth century is associated with Ben Jonson, and he and Shakespeare are contrasted, whilst such figures round them as Lyly, Peele, Greene and Nashe in
Availability: Items available for loan: Centeral Library (1)Call number: 822.052 B.M.G 1973 .

2.
The living monument : Shakespeare and the theatre of his time / M. C. Bradbrook. by
Material type: Text Text; Format: print ; Literary form: Not fiction
Publication details: Cambridge [Eng.] ; New York : Cambridge University Press, c1976
Availability: Items available for loan: Centeral Library (1)Call number: 822.33 B.M.L 1976.

3.
The subject of tragedy : identity and difference in Renaissance drama / Catherine Belsey. by
Material type: Text Text; Format: print ; Literary form: Not fiction
Publication details: London ; New York : Methuen, 1985
Dissertation note: First published in 1985, The Subject of Tragedy takes the drama of the sixteenth and seventeenth centuries as the starting point for an analysis of the differential identities of man and woman. Catherine Belsey charts, in a range of fictional and non-fictional texts, the production in the Renaissance of a meaning for subjectivity that is identifiably modern. The subject of liberal humanism – self-determining, free origin of language, choice and action – is highlighted as the product of a specific period in which man was the subject to which woman was related
Availability: Items available for loan: Centeral Library (1)Call number: 822.009355 B.C.S 1985.

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