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The subject of tragedy : identity and difference in Renaissance drama / Catherine Belsey.

By: Material type: TextTextPublication details: London ; New York : Methuen, 1985.Description: xi, 253 p. ; 23 cmISBN:
  • 0416327001
  • 0416327109 (pbk.)
Subject(s): DDC classification:
  • 822.009355 19
LOC classification:
  • PR658.S42 B45 1985
Dissertation note: First published in 1985, The Subject of Tragedy takes the drama of the sixteenth and seventeenth centuries as the starting point for an analysis of the differential identities of man and woman. Catherine Belsey charts, in a range of fictional and non-fictional texts, the production in the Renaissance of a meaning for subjectivity that is identifiably modern. The subject of liberal humanism – self-determining, free origin of language, choice and action – is highlighted as the product of a specific period in which man was the subject to which woman was related
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Item type Current library Call number Status Date due Barcode
Books Books Centeral Library First floor - Languages 822.009355 B.C.S 1985 (Browse shelf(Opens below)) Available 24509

First published in 1985, The Subject of Tragedy takes the drama of the sixteenth and seventeenth centuries as the starting point for an analysis of the differential identities of man and woman. Catherine Belsey charts, in a range of fictional and non-fictional texts, the production in the Renaissance of a meaning for subjectivity that is identifiably modern. The subject of liberal humanism – self-determining, free origin of language, choice and action – is highlighted as the product of a specific period in which man was the subject to which woman was related

Bibliography: p. 227-244.

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