Results
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101.
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The concise Cambridge history of English literature, by George Sampson. by
Material type:  Text; Format:
print
; Literary form:
Not fiction
Publication details: Cambridge [Eng.] The University press, 1941
Dissertation note: The concise Cambridge history of English literature, by George Sampson
Availability: Items available for loan: Centeral Library (1)Call number: 820 S.G.C 1941.
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102.
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The contexts of poetry. by
Material type: Text; Format:
print
; Literary form:
Not fiction
Publication details: Boston, Little, Brown [1963]
Availability: Items available for loan: Centeral Library (1)Call number: 428.6 A.H.C 1963.
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103.
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The craft of fiction. by
Edition: [Compass books ed.]
Material type: Text; Format:
print
; Literary form:
Not fiction
Publication details: New York, Viking Press [1966]
Availability: Items available for loan: Centeral Library (1)Call number: 808.3 L.P.C 1966.
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104.
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105.
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106.
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107.
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The elements of drama / by J.L. Styan by
Edition: CUP-Vikas students' ed
Material type: Text; Format:
print
; Literary form:
Not fiction
Publication details: New Delhi : Vikas Publishing House PVT, 1979
Availability: Items available for loan: Centeral Library (1)Call number: 792.01 S.J.E 1979.
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108.
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The English novel; a short critical history. by
Material type: Text; Format:
print
; Literary form:
Not fiction
Publication details: London, Phoenix House [1954]
Availability: Items available for loan: Centeral Library (1)Call number: 823.509 A.W.E 1954.
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109.
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The growth and structure of Elizabethan comedy [by] M. C. Bradbrook. by
Edition: New ed.
Material type: Text; Format:
print
; Literary form:
Not fiction
Publication details: London, Chatto & Windus, 1973
Dissertation note: In this study, first published in 1979, Professor Bradbrook adopts an historic approach to comedy as a social form, showing its beginnings in medieval drama, its development in various settings, the evolution of different 'kinds' or genres, and the Shakesperean synthesis. The critical comedy which emerged at the turn of the sixteenth century is associated with Ben Jonson, and he and Shakespeare are contrasted, whilst such figures round them as Lyly, Peele, Greene and Nashe in
Availability: Items available for loan: Centeral Library (1)Call number: 822.052 B.M.G 1973 .
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110.
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111.
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112.
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The metamorphosis / by Franz Kafka ; translated and edited by Stanley Corngold. by
Edition: Bantam classic ed.
Material type: Text; Format:
print
; Literary form:
Fiction
Publication details: Toronto ; New York, N.Y. : Bantam Books, 1986
Dissertation note: When Gregor Samsa woke up one morning from unsettling dreams, he found himself changed in his bed into a monstrous vermin." With this startling, bizarre, yet surprisingly funny first sentence, Kafka begins his masterpiece,
Availability: Items available for loan: Centeral Library (1)Call number: 823.912 K.F.M 1986.
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113.
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114.
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115.
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The rise of the novel; studies in Defoe, Richardson, and Fielding. by
Material type: Text; Format:
print
; Literary form:
Not fiction
Publication details: Berkeley, University of California Press, 1957
Dissertation note: raise for the new (2001) edition:"Ian Watt's The Rise of the Novel still seems to me far and away the best book ever written on the early English novel—wise, ... Parts were interesting but on the whole I'm not a fan of this type of work and wouldn't have purchased a copy if it hadn't been on our recommended reading list.
Availability: Items available for loan: Centeral Library (1)Call number: 823.509 W.L.R 1957.
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116.
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117.
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The subject of tragedy : identity and difference in Renaissance drama / Catherine Belsey. by
Material type: Text; Format:
print
; Literary form:
Not fiction
Publication details: London ; New York : Methuen, 1985
Dissertation note: First published in 1985, The Subject of Tragedy takes the drama of the sixteenth and seventeenth centuries as the starting point for an analysis of the differential identities of man and woman. Catherine Belsey charts, in a range of fictional and non-fictional texts, the production in the Renaissance of a meaning for subjectivity that is identifiably modern. The subject of liberal humanism – self-determining, free origin of language, choice and action – is highlighted as the product of a specific period in which man was the subject to which woman was related
Availability: Items available for loan: Centeral Library (1)Call number: 822.009355 B.C.S 1985.
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118.
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119.
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The twentieth century novel: studies in technique, by
Material type: Text; Format:
print
; Literary form:
Not fiction
Publication details: New York, London, The Century co. [c1932]
Availability: Items available for loan: Centeral Library (1)Call number: 823.8 B.J.T 1932.
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120.
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