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How to write better essays / Bryan Greetham. by Series: Palgrave study skills
Edition: Third edition.
Material type:  Text; Format:
print
; Literary form:
Not fiction
Publisher: Houndmills, Basingstoke, Hampshire : Palgrave Macmillan, 2013
Availability: Items available for loan: Centeral Library (2)Call number: 808.042 G.B.H 2013, ...
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Life Upper intermediate / by
Edition: 1st ed.
Material type: Text; Format:
print
; Literary form:
Not fiction
[London] : Hampshire, U.K., [2013]
Availability: Items available for loan: Centeral Library (135)Call number: 428.2422 D.P.L 2013, ... Not available: Centeral Library: Checked out (6).
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Menschen / A2 : Deutsch Als Fremdsorach Kursbuch by Series: Menschen
Edition: 1st ed
Material type: Text; Format:
print
; Literary form:
Not fiction
Publication details: Berlin Hueber Verlag , [2013]
Availability: Items available for loan: Centeral Library (8)Call number: 438 H.C.M 2013, ...
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Menschen /A2 : Sechsbandige Ausgabe Arbeitsbuch by Series: Menschen
Edition: 1st ed
Material type: Text; Format:
print
; Literary form:
Not fiction
Publication details: Berlin Hueber, [2013]
Availability: Items available for loan: Centeral Library (4)Call number: 438 B.A.M 2013, ...
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Reading Shakespeare / Michael Alexander. by
Edition: 2012th edition.
Material type: Text; Format:
print
; Literary form:
Not fiction
Publication details: New York : Palgrave Macmillan, 2013
Availability: Items available for loan: Centeral Library (1)Call number: 822.33 A.M.R 2013.
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Shakespeare : the histories / John Blades. by Series: Analysing texts
Edition: 1st ed.
Material type: Text; Format:
print
; Literary form:
Not fiction
Publication details: Houndmills, Basingstoke, Hampshire : Palgrave Macmillan, 2013
Dissertation note: In the First Folio, the plays of William Shakespeare were grouped into three categories: comedies, histories, and tragedies. The histories—along with those of contemporary Renaissance playwrights—help define the genre of history plays.[1] The histories might be more accurately called the "English history plays" and include the outliers King John and Henry VIII as well as a continuous sequence of eight plays covering the Wars of the Roses. These last are considered to have been composed in two cycles. The so-called first tetralogy, apparently written in the early 1590s, deals with the later part of the struggle and includes Henry VI, parts one, two & three and Richard III. The second tetralogy, finished in 1599 and including Richard II, Henry IV, Part 1, Henry IV, Part 2 and Henry V, is frequently called the Henriad after its protagonist Prince Hal, the future Henry V.
The folio's classifications are not unproblematic. Besides proposing other categories such as romances and problem plays, many modern studies treat the histories together with those tragedies that feature historical characters. These include Macbeth, set in the mid-11th century during the reigns of Duncan I of Scotland and Edward the Confessor, and also the Roman plays Coriolanus, Julius Caesar, Antony and Cleopatra and the legendary King Lear.
Availability: Items available for loan: Centeral Library (2)Call number: 822.33 B.J.S 2013, ...
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Shakespeare : the late plays / Kate Aughterson. by Series: Analysing texts (Palgrave Macmillan (Firm))
Edition: 1st ed.
Material type: Text; Format:
print
; Literary form:
Not fiction
Publication details: Basingstoke, Hampshire ; New York : 2013
Dissertation note: What makes Shakespeare's late plays so special? Through detailed analyses of key passages, Kate Aughterson shows how these plays portray a world of political intrigue, familial chaos and crisis, which teeters continually into tragedy: a world we can recognise today.
Availability: Items available for loan: Centeral Library (2)Call number: 822.33 A.K.S 2013, ...
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Shakespeare and audience in practice / Stephen Purcell by Series: Shakespeare in practice
Edition: 1st ed.
Material type: Text; Format:
print
; Literary form:
Not fiction
Publication details: New York : Basingstoke, Hampshire ; 2013
Dissertation note: What do audiences do as they watch a Shakespearean play? What makes them respond in the ways that they do? This book examines a wide range of theatrical productions to explore the practice of being a modern Shakespearean audience. It surveys some of the most influential ideas about spectatorship in contemporary performance studies, and analyses the strategies employed both in the texts themselves and by modern theatre practitioners to position audiences in particular ways.
Availability: Items available for loan: Centeral Library (3)Call number: 822.33 P.S.S 2013, ...
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Shakespeare and memory / Hester Lees-Jeffries. by Series: Oxford Shakespeare topics
Edition: 1st ed.
Material type: Text; Format:
print
; Literary form:
Not fiction
Publication details: New York : Basingstoke, Hampshire ; 2013
Dissertation note: Why memory?” Hester Lees-Jeffries asks at the beginning of this absorbing book, but by the end of her compelling analysis it is tempting to think that there is nothing in Shakespeare’s work but meditations upon, versions of, or entanglements in, memory. Lees-Jeffries thoroughly reads the entire works through various models of recollection (and forgetting), and along the way takes the reader on a quick spin through contemporary thinking about the early modern period, from work on manuscript and material culture to considerations of nationalism, sensory responses to text and performative affect. Memory studies has proven to be a rich vein of investigation for many disciplines over the past 20 years, and Shakespeare criticism has had its key moments in this area too, from work considering rehearsal practice to investigations of history and national identity. Lees-Jeffries contends that “Shakespeare both engaged with and changed the ways in which people remembered”, and she demonstrates this with some distinction.
Availability: Items available for loan: Centeral Library (3)Call number: 822.33 L.H.S 2013, ...
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Shakespeare and the eighteenth century / Michael Caines. by Series: Oxford Shakespeare topics
Material type: Text; Format:
print
; Literary form:
Not fiction
Publication details: Oxford : Oxford University Press, 2013
Dissertation note: This book considers the impact and influence of Shakespeare on writing of the eighteenth century, and also how eighteenth-century Shakespeare scholarship influenced how we read Shakespeare today.
The most influential English actor of the eighteenth century, David Garrick, could hail Shakespeare as 'the god of our idolatry', yet perform an adaptation of King Lear with a happy ending, add a dying speech to Macbeth, and remove the puns from Romeo and Juliet. Garrick's friend Samuel Johnson thought of Shakespeare as 'above all writers, at least above all modern writers, the poet of nature'. Voltaire thought he was a sublime genius without taste. The Bluestocking Elizabeth Montagu, meanwhile, could be found arguing with Johnson's biographer James Boswell over whether Shakespeare or Milton was the greater poet.
Other title: - Shakespeare and the 18th century
Availability: Items available for loan: Centeral Library (3)Call number: 820.9 C.M.S 2013, ...
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