| 000 | 02426cam a2200385 i 4500 | ||
|---|---|---|---|
| 999 |
_c725 _d725 |
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| 001 | 18201156 | ||
| 005 | 20170703111453.0 | ||
| 008 | 140625s2014 enk b 001 0 eng | ||
| 010 | _a 2014009035 | ||
| 020 | _a9781408184103 (hardback) | ||
| 020 | _a9781408184059 (paperback) | ||
| 040 |
_aDLC _beng _cDLC _erda _dDLC |
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| 042 | _apcc | ||
| 050 | 0 | 0 |
_aPN2061 _b.M287 2014 |
| 082 | 0 | 0 |
_a792.028 _223 |
| 084 |
_aPER001000 _2bisacsh |
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| 100 | 1 | _aMatthews, John, | |
| 245 | 1 | 0 |
_aAnatomy of performance training / _cJohn Matthews ; illustrations by Andy Park. |
| 250 | _a1st ed | ||
| 260 |
_aLondon ; _aNew York : _bBloomsbury Methuen Drama, _c2014. |
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| 300 |
_a211 pages ; _c23 cm. |
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| 336 |
_atext _2rdacontent |
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| 337 |
_aunmediated _2rdamedia |
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| 338 |
_avolume _2rdacarrier |
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| 490 | 0 | _aMethuen drama | |
| 504 | _aIncludes bibliographical references (pages 197-201) and index. | ||
| 520 | _a"We train because we are human and we become human because we train. This is the surprising and original conclusion of Anatomy of Performance Training, in which John Matthews shows how training is a very human response to the problems of having a body and living in the world. Using illustrative case-studies of professional practice, each chapter addresses a specific body part, offering a self-contained discussion of its symbolic and practical significance in the artistic, and commercial, activities of training. These anatomical case-studies are cross-referenced with other disciplines (such as sport, high diving, deep diving and artisan craft) to further expand our understanding of performance. Stand-alone chapters, ideal for reference, build towards an overall conclusion that the uniquely human practice of training is emerging as a new and pervasive ideology globally.Ideal for readers seeking to understand the relationship the body has with the theatre and training, or for teachers looking for a new, innovative approach to performance, Anatomy of Peformance Training is an accessible, original contribution to the philosophy of training for performance"-- | ||
| 650 | 0 | _aActing. | |
| 650 | 0 | _aPerforming arts. | |
| 650 | 0 | _aMovement (Acting) | |
| 650 | 7 |
_aPERFORMING ARTS / Acting & Auditioning. _2bisacsh |
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| 906 |
_a7 _bcbc _corignew _d1 _eecip _f20 _gy-gencatlg |
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| 942 |
_2ddc _cBK |
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