000			01781cam a22003014a 4500
999			_c8620 _d8620
001			15312654
005			20180116094630.0
008			080602s2008 enka b 001 0 eng
010			_a 2008024463
020			_a9780199549276
040			_aDLC _cDLC _dDLC
050	0	0	_aPR3069.L46 _bS74 2008
082	0	0	_a822.33 _222
100	1		_aStewart, Alan,
245	1	0	_aShakespeare's letters / _cAlan Stewart.
260			_aOxford ; _aNew York : _bOxford University Press, _c2008.
300			_axvi, 405 p. : _bill. ; _c23 cm.
502			_ahakespeare's plays are stuffed with letters - 111 appear on stage in all but five of his dramas. But for modern actors, directors, and critics they are frequently an awkward embarrassment. Alan Stewart shows how and why Shakespeare put letters on stage in virtually all of his plays. By reconstructing the very different uses to which letters were put in Shakespeare's time
504			_aIncludes bibliographical references (p. [359]-392) and index.
505	0		_aSearching for Shakespeare's letters -- The materiality of Shakespeare's letters -- Shakespeare's Roman letters -- Shakespeare and the carriers -- Shylock is Shakespeare: letters of credit in The merchant of Venice -- The matter of messengers in King Lear -- Lovers' lines: letters to Ophelia -- Rewriting Hamlet.
600	1	0	_aShakespeare, William, _d1564-1616 _xCriticism and interpretation.
650		0	_aLetters in literature.
650		0	_aLetter writing in literature.
856	4	1	_3Table of contents only _uhttp://www.loc.gov/catdir/toc/ecip0820/2008024463.html
906			_a7 _bcbc _corignew _d1 _eecip _f20 _gy-gencatlg
942			_2ddc _cBK