| 000 | 03731cam a2200349 i 4500 | ||
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| 999 |
_c8947 _d8947 |
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| 001 | 17888689 | ||
| 005 | 20190127115848.0 | ||
| 008 | 130917s2014 enka 000 0 eng | ||
| 010 | _a 2013036010 | ||
| 020 | _a9781472521903 (pbk.) | ||
| 020 | _z9781472539434 (epdf) | ||
| 040 |
_aDLC _beng _cDLC _erda _dDLC |
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| 042 | _apcc | ||
| 050 | 0 | 0 |
_aTR897.6 _b.P87 2014 |
| 082 | 0 | 0 |
_a777.7 _223 |
| 084 |
_aPER017000 _2bisacsh |
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| 100 | 1 | _aPurves, Barry. | |
| 245 | 1 | 0 |
_aStop-motion animation : _bframe by frame film-making with puppets and models / _cBarry J C Purves. |
| 250 | _aSecond edition. | ||
| 260 |
_aLondon : _bFairchild Books, an imprint of Bloomsbury Publishing Plc, _c2014 |
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| 300 |
_a227 pages : _bcolor illustrations ; _c24 cm |
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| 336 |
_atext _2rdacontent |
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| 337 |
_aunmediated _2rdamedia |
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| 338 |
_avolume _2rdacarrier |
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| 505 | 8 | _aMachine generated contents note: -- Introduction Chapter 1: What is stop-motion?The beginnings The illusion of movement PhysicalityA continuous performance Special effects Wholly animated filmsProject 1: Find your styleChapter 2: Focusing the idea Stories and themes Approaching the story A change of perspective Out of the mouths of... talking umbrellas? Atmosphere and substance EconomicsProject 2: What's the story?Chapter 3: The puppetsTelling the story with puppets The physical puppet Telling characteristics Stylised movement Replacements 3D printingEyes Hands Puppet size Clay Other techniques Project 3: Find your leading man (or mouse)Chapter 4: PreparationsWorking with others Sets Costume ColourProject 4: Set the sceneChapter 5: Chapter Tools and techniques Practicalities The camera Apps and other low-cost optionsLighting Sound Dialogue Special effects EditingProject 5: Setting up and getting startedChapter 5: Movement and performanceAnimating on the set Lively movementHelping the movement PerformanceProject 6: Make it read!ConclusionA brief history of stop-motionPicture credits Acknowledgements. | |
| 520 | _a"Stop-motion Animation teaches the skills required to develop as a creative stop-motion animator. It explores how all the elements of film-making - camera work, design, colour, lighting, editing, music and storytelling - come together in this unique art form. With advice on how to use the particular types of movement, characters and stories that typify stop-motion, this book is packed with tips and suggestions to help you get the most out of your stop-motion films, accompanied by illustrations and case studies demonstrating how film-making masters through the years have used it in feature films, short films and television. This second edition also introduces and explores two of the biggest innovations of recent years - at opposite ends of the industry. At the top-end, for film-makers with serious budgets, there is 3D printing in the creation of replacement parts for stop-motion characters while at the amateur/student end of the industry there are a variety of cheap, but effective, apps that can turn turn a smartphone into a mini stop-motion studio. The new edition also includes an extended project in each chapter, covering storytelling techniques, selecting an appropriate style, developing a character, set building and lighting, creating a performance and adding music. These projects combine to lead you through the creation of your first one-minute stop-motion animation"-- | ||
| 650 | 0 | _aStop-motion animation films. | |
| 650 | 7 |
_aPERFORMING ARTS / Animation. _2bisacsh |
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| 906 |
_a7 _bcbc _corignew _d1 _eecip _f20 _gy-gencatlg |
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| 942 |
_2ddc _cBK |
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