000 | 03131cam a22003858i 4500 | ||
---|---|---|---|
999 |
_c9068 _d9068 |
||
001 | 18248704 | ||
005 | 20190127115135.0 | ||
008 | 140731s2014 nyu 000 0 eng | ||
010 | _a 2014030377 | ||
020 | _a9781137270948 (paperback) | ||
040 |
_aDLC _beng _cDLC _erda |
||
042 | _apcc | ||
050 | 0 | 0 |
_aML2054 _b.T393 2014 |
082 | 0 | 0 |
_a792.609 _223 |
084 |
_aPER011000 _aPER011020 _aPER013000 _2bisacsh |
||
100 | 1 | _aTaylor, Millie, | |
245 | 1 | 0 |
_aStudying musical theatre : _btheory and practice / _cMillie Taylor and Dominic Symonds. |
250 | _a1st ed | ||
260 |
_aNew York : _bPalgrave Macmillan, _c2014 |
||
300 | _apages cm | ||
336 |
_atext _2rdacontent |
||
337 |
_aunmediated _2rdamedia |
||
338 |
_avolume _2rdacarrier |
||
505 | 8 | _aMachine generated contents note: -- List of Illustrations -- Acknowledgements -- Introduction -- PART I: READING TEXTS -- 1. 'A tale as old as time': Narrative Theory -- 2. 'A man who can interpret could go far': Semiotics and Semiology -- 3. 'Razzle dazzle 'em': Reception Theory and the Epic Musical -- 4. 'Life is a cabaret': Cultural Materialism -- PART II: INTERPRETING CONTEXTS -- 5. 'You've got to be carefully taught': Orientalism and Musical Theatre -- 6. 'I wanna be a producer': Globalization, Capitalism and Consumerism -- 7. 'What's the buzz?' Meta-narratives and Postlinearity -- PART III: PERFORMING IDENTITIES -- 8. 'Marry the man today': Feminism and the Performance of Identity -- 9. 'The bitch of living': Youth Cultures, Power, and Sexuality -- 10. 'I am what I am': Sexuality and Queer Theory -- PART IV: RETHINKING RELATIONSHIPS -- 11. 'It's the last midnight': Playing with Time and Space -- 12. 'I'm just a Broadway baby': Intertextuality in Music and Lyrics -- 13. 'Dreamgirls will make you happy': The Pleasures of Voice and Body -- 14. 'Make 'em laugh': The Politics of Entertainment -- Bibliography -- Index. | |
520 | _a"The ideal accompaniment to any study of musical theatre, this lively textbook provides a comprehensive overview of the history, theory and practice of this popular theatre form. Bringing critical theory and musical theatre together, Millie Taylor and Dominic Symonds explore the musical stage from a broad range of theoretical perspectives, including narrative theory, orientalism, gender theory and globalization.Focusing on opera as well as musical theatre, Studying Musical Theatre considers dozens of diverse shows from 1607 to the present day. From Monteverdi to Mamma Mia, and from HMS Pinafore to Hedwig, this book offers an accessible and up-to-date guide to musical theatre for students, aficionados and enthusiasts alike"-- | ||
650 | 0 |
_aMusicals _xHistory and criticism. |
|
650 | 0 |
_aMusical theater _xHistory. |
|
650 | 7 |
_aPERFORMING ARTS / Theater / General. _2bisacsh |
|
650 | 7 |
_aPERFORMING ARTS / Theater / History & Criticism. _2bisacsh |
|
650 | 7 |
_aPERFORMING ARTS / Theater / Broadway & Musical Revue. _2bisacsh |
|
700 | 1 |
_aSymonds, Dominic, _eauthor. |
|
906 |
_a7 _bcbc _corignew _d1 _eecip _f20 _gy-gencatlg |
||
942 |
_2ddc _cBK |